Second new work for Timepoint Ensemble, following last year's Through a Glass, Darkly. 

New work The Rose for viola/voice and piano, written for Margaret Carey (Winnipeg Symphony Orchestra). The piece was inspired by and sets excerpts of Margaret's poem Rose Petals, and also engages with the slow movement of Schubert's Piano Sonata in A, D 959.

November 08, 2016

Feldsperling Duo perform commissioned work Vespers in the University of Prince Edward Island's 2016/17 Recital Series.

November 04, 2016

Feldsperling Duo perform Vespers at St. Paul's Church, downtown Halifax.

October 14, 2016

Feldsperling Duo (Liesel Deppe, fl & Nicole Strum, sax) premiere commissioned work Vespers at Array Space, Toronto. 

August 15, 2016

Workshop commissioned piece Vespers at the Banff Centre with Feldsperling Duo (Liesel Deppe, fl, and Nicole Strum, sax).

June 04, 2016

Timepoint Ensemble performs commissioned work Through a Glass, Darkly for fl, cl, trb, vn, vc & pn at the New Gallery, downtown Calgary.

June 03, 2016

Performance of 5 Impromptus for flute, clarinet, and piano; awarded Honourable Mention in the 2016 Student Composer Competition. Location: Rosza Centre, University of Calgary.

April 04, 2016

Composition workshop with Stephen Hartke, Carl Schimmel, Roy Magnuson, and ensemble mise-en. Featuring Through A Glass, Darkly for flute, clarinet, trombone, violin, contrabass, and piano.

February 25, 2016

Presentation: Formal Function and Phrase Structure in Contemporary Music as part of the McGill Association of Student Composers Forum. Focuses on the late solo works of Pierre Boulez and my orchestral work Lucretia Overture.

January 28, 2016

Scarlet Crimson Carmine for 11 strings performed by Ensemble Arkea, directed by Dina Gilbert. (Photo credit: Nadia Zheng)